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5 Mistakes Designers Make when Photographing their Jewellery

6-24

This is a guest post by Jess Van Den, the maker of Epheriell jewelry & the founder and editor of Create & Thrive, the site where you can learn how to turn your handmade hobby into a thriving business from those who've done so. I've been on a jewelry photography journey since I started selling my work online in 2008. When I started out, I knew NOTHING about photography – let alone the best way to shoot jewelry. It took me many years of trial, error, practice, and education to reach the point where I'm proud of the photos I take of my work. Of course, I have no doubt that I'll keep learning and trying new things, but I feel like I've ironed out the major issues that plague jewelry designers who take pictures of their own work.

Today I want to share 5 of these mistakes that I see jewelry designers making over and over again in their indoor and outdoor photographs.

1-Men's Matte Oxidised Wedding Band (7)

Main image not cropped for detail

If you're selling a necklace where the pendant is the main attraction, don't make your main image a shot of the whole necklace. The detail in the pendant is what will really draw the customer's eye – so make sure that your main product image is a closely cropped shot that shows the beautiful detail in your piece. Use your additional product photos to show the design as a whole. The same goes for any other large piece – choose the part that really stands out to focus on in the main image.

Not showing it on a model

You have a close-up shot, a whole image shot… even shots showing the back of the piece. But you're missing a crucial photograph – your item on a model. Don't underestimate how important this image is to your customer. Not only does it ‘humanise' your jewelry, it also gives an immediate sense of scale. When we're looking at small items of jewelry blown up at huge resolution on our computer monitor, we can get a skewed sense of the size of the piece. Showing it on a model eliminates this problem immediately, and it is also a great opportunity to extend your branding with the style of model photo you use. Swoop Urban Eco Earrings (5)

Over-exposure on white backgrounds

White backgrounds are commonly used in jewelry pictures (though I'm not a fan personally, except for wholesale catalogue and press-ready images). But even with a plain white background, the framing, angle, and editing of your image can make or break it. I can't count how many times I've seen a piece of jewelry photographed on a white background at home… and I can't see the details of the piece because it's been over-exposed. This leaves the whole image looking washed out, and you can't see the detail in the piece. Sometimes it can even blend into the background. This is particularly common with silver jewelry. So, be careful that you're not over-lighting with a strong lightbox, or over-editing your jewelry images. You need that contrast!

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5 Mistakes Designers Make when Photographing their Jewellery

Busy backgrounds

If white backgrounds aren't your thing, because you want your photographs to reflect your unique style (like I do), you have to be careful to make sure your jewelry remains the star of the show. Don't get so excited adding styling and branding elements to your photos that your jewelry ends up blending in. Strategic styling through the use of props can work really well… or it can tip your best photograph over into disaster. The first question to ask yourself if you're afraid you've done this is: ‘if I didn't know what was for sale and I saw this picture – would it be obvious'? That might sound over-simplistic, but it's the most important test – one that many jewelry designers fail. Glacier Blue - Oxidised Urban Candy Earrings - Swoop (7)

Unflattering angles

A truly breathtaking product photo not only shows your jewelry clearly, it also tells a story. It evokes an emotion. It draws the customer in because they just HAVE to find out more. Show your jewelry in its best light by playing with the angles that you photograph it at to discover which angle catches the light – and the eye – more than any other. Don't just lay it out clinically and photograph from the front. Again – this is fine for a wholesale catalogue, but for selling online and for advertising and branding purposes, get some personality into that shot. There are so many things to learn when it comes to photographing your jewelry – these are just a few of the aspects you have to work on to get truly fantastic, eye-catching photos that sell your work.

I'd love to hear from you: what are your biggest challenges when it comes to photographing your work? I'm happy to answer any questions you might have in the comments.

Do you want to learn how to take truly stellar product photos? Then you need the Create & Thrive Guide to Product Photography, written by professional photographer Jeffrey Opp. It's a plain-English, easy-to-understand guide for the beginning to intermediate product photographer. You can also grab a FREE copy of Jeffrey's step-by-step guide to crafting your own ‘studio-in-a-box' by subscribing to the Create & Thrive email updates.

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